Death, Lies, and the Internet is Must Viewing for Those Who Love True Crime
The Netflix original series Web of Make Believe: Death, Lies, and The Internet looks at how the online world and the real world intersect and how those two worlds can have ruinous consequences outside of the screen. It is directed by Brian Knappenberger, who has previously directed Life After War, We Are Legion, and The Internet’s Own Boy. It is co-produced by Brian Grazer, Eve Marson, and Justin Wilkes. It debuted on June 15, 2022.
The six-part docuseries examines the relationship between the internet and crime. The series features victims, crime experts, and other players in the world of Internet crimes. It explores a variety of crimes, from extortion and white supremacy to the assassination of Democratic National Committee staffer Seth Rich. It will also look at the growing role of social media in a society that is constantly connected to the Internet.
This Netflix docuseries examines how the Internet has empowered people and harmed others. The Internet is a powerful tool for both harm and good. Even a simple statement can create new battle lines in cyberspace. This film also explores how algorithms empower people to do bad things, including murder. The film is a compelling watch and one that will make you think twice before sharing your own opinions online.
If you’re a fan of true crime docuseries, you can’t go wrong with this latest offering. The series begs for binge watching. Furthermore, it explores the Internet’s role in crime and misinformation. The series is produced by Luminant Media and Imagine Documentaries. It will look at the relationship between the internet and crime, and how disinformation and misinformation have changed people’s lives.
The web is full of conspiracy theories. But are those theories true? “Welcome to the Web of Make Believe.” Among things covered in each episode: “Swattiing,” which is the process of sending SWAT teams to the home of innocent victims. In another episode, “A Murder in D.C.,” a woman becomes the mouthpiece of white nationalists and a man who virtually black-masks people, explores the consequences of such actions.
Very few companies do true crime better than Netflix. This is another fine contribution to that genre.
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